Guacamole Gulch

Sunday, June 30, 2013

Cranky as hell in Goa

For Barbara:

The lobby of the Vivante hotel in Goa is open-air and looks out at the ocean. As we settled into our chairs waiting for the check-in process to complete, the quiet was shattered by a group of 12 youngish Indian men and women bustling into the space.  The air around them crackled and I swear I caught a whiff of Bangalore/Mumbai outsourcing parfum as they glided by. Most were wearing khaki
shorts and expensive ecological sandals - that rubbery kind (made from recycled carpeting, or cars or cell phones), with round box toes and orthotic inserts. All of them had great shiny hair and beautiful hair cuts with precise beveled edges; the kind of hair that swings around but magically returns to exactly the same place it started. Non-messable.  Slouching in our travel-rumpled clothing, sweating grey hairs curling out from under our touristic Tilley travel hats and clutching our various corny bits of travel impedimenta, we couldn't have provided more contrast. Checking their iphones every few seconds, the Indians swarmed around a seating arrangement near us, flopping into the chairs,  faces slightly blue, reflecting the light from the devices humming in their hands. Every once in a while,  we'd catch a scrap of Iconversation - a  "What?" or an "Oh shit" delivered with perfect diction in a crisp British accent and addressed to the iscreens. Nobody can say "Oh shit" like a well educated Indian! We should have known better than to select this hotel. It's inevitable in Goa that you'll bump into these up and coming Indians attending a dreadful skill improvement seminar.  The excessive enthusiasm was depressing.

I sighed, knowing our four days of rest were ruined. We'll never escape! They'll be bouncing into the restaurant in the morning, dewy from  running down the beach,  grabbing up the yogurt and peaches from the buffet, sipping their cups of herb tea. Or they'll be lying next to that pool, displaying their discretely placed and tasteful tattoos; reading something Instructive or ieducational. Ugh!

I stopped fanning myself with the folded map of India and for a fleeting moment considered moving onto another hotel. But then, just as quickly as they appeared, the gaggle of iIndians were buzzed back into the seminar and things didn't look quite so bad. "Maybe it'll all work out", I muttered to myself as I picked up a stack of complaint cards from the desk.





Posted by Helen Killeen Bauch McHargue at 4:59 PM 2 comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

Thursday, June 27, 2013

Sepia Saturday 183: Claustrophobia!!

There once was a fearful spelunker
gulping gin in his bunker, he'd hunker 
When he finally felt brave
He got lost in a cave  
                                                        I guess he should have got drunker.


A cave for the prompt this week. Oh no! My heart sinks when we're traveling and I hear a cave  is coming up. In my youth, my heart would beat rapidly with excitement! And then decades ago in Roitan, Honduras I had a traumatic experience - a scuba diving accident which left me with immobilizing claustrophobia. It started immediately after the accident and was so severe, I could barely sit in my car, stand in a line or sit in an office. For three weeks I walked around in a state of near panic. I had to get treated or I guess die - do you eventually die of anxiety? Fortunately I was directed to a great psychiatrist who straightened me out in three sessions! Is that a world record? Once she walked me through my trauma, explained the post traumatic stress and the obvious link to the claustrophobia, something clicked back into place in my brain and I was able to cope with almost everything - except caves.

Caves. At the word, my throat clamped shut, hands sweat, mouth dried, heart pounded. Caves!! The dark, dankness...the walls closing in. Trapped! Bad, bad things happen in caves and dark small places. Echoey sounds, dripping things, slippery floors, sliminess, cave-ins. Bats, bogey men, spider webs, slithery things, terror, dragons, zombies, vampires. Sweat ran down my back and I'd shudder at the very thought of having to enter one. 

Traveling around as I have in my life it's been inevitable that a cave (or tunnel or underground something) is on every travel agenda. Most people love them, but I've had to content myself with sitting outside watching everyone's coats and bags, usually buying a guide book or post cards or a photo book of the place to get an idea of how the place looked, while waiting for my companions to emerge. Explaining about the claustrophobia was almost the worst part. Unless you've experienced it or some kind of panic attack, you'll never understand it because it's totally irrational. People think you're weak or nuts or both.

Not surprisingly, I have no photos of caves around....the following are borrowed

Of all the caves I sat out, Lascaux in the Dordogne, France is the one I most regret...those beautiful paintings 17000 years old. They've now had to close the caves to protect the paintings and you can only visit a cave replica.
Lascaux    autocww2.colorado.edu

The Postojna caves in Slovenia were another miss along with the Monastery Cave in Kiev and of course, the catacombs in Paris and Rome, the Waitomo Glowworm caves in New Zealand. The Kuchi tunnels in Saigon were a welcome miss.  The Elephant cave in Bali I could manage because it's so tiny and you're in and out in a minute. The entrance is appropriately through the mouth of a demon.
Elephant Cave  sacred-sites.org


Now for the happy ending. I'm not going to attempt to explain the whole thing. The short version is that we were in Vietnam a decade ago, cruising on a junk in Halong Bay, one of the most beautiful places in the world.

nature.new7wonders.com

I got stuck in a situation where either I went through a cave or simply got left behind - the rescue would have been mortifying. Forced into the cave, with no choice but to go forward, I did it. The rational finally trumped the irrational; the fear of crushing embarrassment trumped the terror. And guess what? The world didn't end; I didn't drop dead of a heart attack and once I saw the light at the end of the tunnel, literally, I was completely thrilled with myself.

Caves no longer terrorize me.  I have an ever-fading memory of the cave anxiety that's etched on my brain, but it's a minor distraction. I sit no more at the entrance to caves with a little knot of fellow claustrophobics (I was never alone) but boldly march forward and enjoy the slithery sights.

Hold your own damn coats!

Steel yourself, stifle that phobia and head on over to Sepia Saturday for more fascinating stories. 


Posted by Helen Killeen Bauch McHargue at 10:30 AM 35 comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

Wednesday, June 26, 2013

Karaikudi -what a surprise!

“Tourists don’t know where they’ve been, travelers don’t know where they’re going.” – Paul Theroux



Paul is such a cynic. In much of India, I have to admit we didn't really know where we were going. We thought the Bangala hotel was only a stop on the way between spectacular temples, en route to the really big thing ahead - the Meenakshi temple complex in Madurai, one of the largest and most important in India. None of us knew a thing about the Chettiars and their extraordinary houses. Here's what our tour brief described:

"These houses are built on a rectangular traversal plot that stretches across two streets with the front door opening into the first street and the back into the second." Doesn't sound terribly interesting. But it was. You could spend a couple of weeks here poking around in the houses, the craft shops, the temples. We should have read more in advance.

 

Madame
First - the hotel. Large comfortable rooms, shady porches, a wonderful swimming pool. The property is a lovely restored men's club on the outskirts of Karaikudi with the best food we've had yet. Served home style and presided over by the 77 year old Chettiear "madame" of the premises; she rules the roost with an iron hand. The chef has worked for her for almost 50 years and while she doesn't cook she devises the menus. Dinner last night started with pea soup, moved to a shrimp course served with a wonderful bread and freshly grilled vegetables. Next came a breaded sea bass with another mixed vegetable dish and deep fried battered cauliflower.  Grilled quail was next and the meal finished with a spectacular strawberry panna cotta napped with creme fraiche. All courses were served by liveried men who brought the dishes round and round. One could eat each course several times if desired. Looking back, I'd say this was the best eating experience of the trip.


The dark side: Outside the walls of the hotel, our driver Mammouj made his bed in the back of the van because the hotels either do not provide for the drivers or the drivers quarters are so dirty that he won't use them. Instead he chooses to sleep on a roll in the back of the van. He had to wash the van with bottled water - the hotel wouldn't provide it.  There's always a "behind the beautiful forevers", wherever  you go in India. There's the beautiful front and the "other" side, often more the reality in this country of great contrasts.

Mahmooj, Debra, me - bottled water from van washing
Now the Chettiars: The Chettiars are an old business community from Chettinad, a region of 72 villages around Karaikudi in Tamil Nadu. They began trading in salt, moved on to gems, and became financiers by the early 19th century. When the British took over Myanmar in 1826, the Chettiars settled there as moneylenders. It led them to great prosperity in South-East Asia. Much of their profit was invested in the grand houses they built in Chettinad - symbols of their power and social standing as bankers and merchants. We toured through a few of the houses. Read more detail in the article tacked on at the end of this post.


Inside a Chettiar home




Chettiar house



Quiet streets


The houses were huge. We're talking 20,000 to 40,000 square feet, filled with luxurious products and incorporating designs the Chettiars encountered during their travels. Most are eclectic combinations of the best of everything: Italian tiles, Belgian glass, rosewood carvings, Burmese teak, Victorian furniture, Spanish grill work, Gothic domes. Chettinad architecture is known for its scale, color and variety of local and imported materials. The house are built on platforms raised slightly up from the street and most have a second story. This architecture is thought to have been employed because the people originally lived on the water ; a devastating tsunami sent them inland looking for a new place to settle. Left like a scar on the unconscious was the memory of death and destruction by flooding, thus the elevations.
Busy street
As we traveled through quiet streets lined with crumbling buildings, it felt like we were in a ghost town. In fact that's what much of the area has become. The houses have been passed down through generations and ended up with multiple owners who often can't agree what to do with them. The properties are ridiculously expensive to keep up although the families who are still wealthy maintain them to use for family weddings, the biggest social event in India. Our guide told us that some of them are used to store dowries - I guess these dowries become enormous because you are only supposed to use them in case of emergency. The accumulated dowries have become the principal savings of many families.  The largely unused items comprising the dowries become more valuable as they age and become antiques. Many of the houses are being dismantled and the choice bits and pieces sold to architects. I looked online and saw Chettinad doors, window frames, chandeliers and tiles for sale. How sad that these items will be separated from their original locations and end up, who knows where... in a steak house in Chicago hanging on a wall? The staggering fact that I had to have repeated several times is that there are an estimated 30,000 of these palatial houses in the area. Ah India.....the surprises never end.
Still life: bicycle and garbage



After our house tour, we stopped at the local market and had a look at the wonderful produce grown in the area. Zouka ate three or four tomatillos, right out of the baskets, unwashed. She loves sour things, but I worried for her intestinal health. She had no problems. She has a tough Syrian gut!



Zuzu eying tomatillos
We passed on the modern slaughter house



Several kilometers from the villages of Chettinad, lies an Ayyanar temple which we visited next.  In South India, particularly Tamil Nadu, the Hindu village god Ayyanar is a popularly worshiped deity. He is known as the protector of rural villages and uniquely, the priests are usually non-Brahmins.
The temple we visited was crowded with large whimsically painted clay horses. Our guide explained that the horses are offered in gratitude to the Gods for good crops or good luck. If you have a good year, you contract with the local potter to create one of these wonderful creatures and donate it to the temple.

The temple was a delightful change from the huge formal complexes we've been touring. Worship takes place outside - it all seems so much simpler and more attractive than the complicated rites and ritual involved in traditional Hinduism. An architect who took us through one Hindu temple told us he had to hire a consultant priest to keep track of his religious obligations: birthdays (which change every year), anniversaries of deaths, births, weddings.

We spotted the two ladies with the beautiful saris entering the water and asked if they'd mind having their photos taken. They were delighted. The immersion has something to do with religion, not recreation.

Reluctantly, we tore ourselves away from the temple and returned to the Bangala for another great meal, this time a wonderful lunch of local food served on a banana leaf. The we stuffed ourselves back into the van and headed for Madurai, two hours away.

Painting tiles in  Chettinad area. Horses at Aiyunnar temple







Ladies bathing near Aiyuna temple

Our charming Chettinad guide and me



 Up close clay horse of Aiyanar Temple Chettinad Tamil Nadu India
Lunch at the Bangala

 

 

 

Geographical Magazine: Putting the houses in order

During the Raj, the Chettiars of Tamil Nadu built thousands of palatial homes, but after the end of the colonial era, the houses fell into disrepair. Now, many are being restored to their former glory, writes Luke Duggleby
Money was no object; only the best would do. Tiles were brought in from Spain and Japan in their millions, thousands of tonnes of teak arrived from Burma, and marble and extravagant crystal chandeliers came from Italy. Mirrors were imported from Belgium, the steel came from the UK, and the whole lot was combined with millions of hand-baked roof tiles and paint made of hundreds of thousands of eggshells.

But the palatial abodes built from these international ingredients weren’t one-offs, the odd individual looking down on his less-fortunate neighbours; there were tens of thousands of them, scattered across an area of 1,500 or so square kilometres.

These are the mansions of Chettinad, an arid land of bush and scrub located in the heart of Tamil Nadu in southern India. Very little grows here; summer temperatures frequently exceed 40°C and the baked earth holds few resources of any value. But none of that mattered to the Chettiars; this parched back­water was a safe place for them to live, free from interference and in the lap of a self-created luxury.

Distant origins
The Nattukottai or Nagarathur Chettiars are a sub-caste of the Vaishya, the third-highest of the Hindu social classes. Their early history is sketchy at best, with no firm historical evidence to explain their origins. One legend suggests that a tsunami destroyed their coastal town and, fearing a repeat, they fled inland to the driest place they could find.

Following their arrival in this desolate part of Tamil Nadu, they made a modest living doing business locally, specialising in trade and banking. It was with the arrival of the British during the 18th century that their fortunes changed. British expansionism was rapidly engulfing South and Southeast Asia, country by country, and when the East India Company set up shop in Madras (now Chennai), the capital of Tamil Nadu, it brought the British and the Chettiars together. The British needed reliable and honest middlemen through whom they could deal with the locals, and the rajahs of southern India recommended the Chettiars, who had a reputation for reliability and honour.

Early business dealings primarily involved local transactions of modest sums, but in 1774, the headquarters of the East India Company was moved to Calcutta as the company looked to expand into Burma. The British ruled Burma from the 1820s to the 1950s, and the Chettiars were never far behind, doing business on an enormous scale. ‘The Chettiars understood the political and geographical context of this period and took full advantage,’ explains Michel Adment, a French architect who, along with his partner, Bernard Dragon, has lived in Chettinad since 2004. ‘The British essentially opened up these countries one by one, giving the Chettiars access.’

But despite trading in exotic and foreign materials in distant lands, the Chettiars always based their operations in Chettinad. ‘The Chettiars were very worldly, but their society was held together by very strict rules, such as marrying within the caste and land ownership,’ Dragon says.

At the height of the Chettiar’s success, they numbered more than 110,000, living in 96 villages and towns scattered across the region. They used the wealth they accumulated to build enormous, ornate mansions; the total number is difficult to ascertain, but is believed to have been as high as 60,000.

When Adment and Dragon arrived in Chettinad in 2004, the population was relatively unchanged, but the number of Chettiar villages had decreased to 73 (as well as two cities) and the number of mansions had dropped to about 25,000. ‘Houses are currently being demolished at a rate of 20 per month, and many more are ready to come down,’ says Meenakshi ‘Madame’ Meyyappan, a hotelier based in Karaikudi – the largest city in Sivaganga district and the unofficial capital of Chettinad – and the wife of a wealthy Chettiar who worked mostly in Malaysia. Others dispute these numbers, but Meyyappan is adamant: ‘How do you get all these warehouses full of our antiques if our heritage is not disappearing?’

Starting over
So what went wrong? While the Chettiars had made fortunes making Burma the rice bowl of Asia and developing coconut and rubber plantations throughout Southeast Asia, they also acted as local moneylenders. But during the first half of the 20th century, the development of nationalistic movements in Southeast Asian countries, the growth of legislation restricting indigenous banking and the increase of industrial opportunities within India for non-British businessmen all began to eat away at the Chettiars’ business empire.

But if there was a single action that could be held responsible for the ultimate crash, it was the British withdrawal from Burma. Almost 70 per cent of Chettiar wealth was concentrated there, and in the eyes of the new regime, the Chettiars were the accomplices of an unwanted ruler. They were forced to flee, leaving behind everything for which they had worked. Vast tracts of paddy field and business interests were abandoned as the Chettiars returned to Chettinad with nothing but the houses their fortunes had built.

Few Chettiars had bothered to invest in India, distrusting the country and disgusted by the endemic corruption, yet they now found themselves back there, unable to compete in areas where other businessmen had grown strong in their absence. The Chettiars essentially had to start from scratch. ‘No-one was able to continue because they had no money to lend, so they began educating their children, and are now becoming successful again,’ says Meyyappan.

But where did the money come from to educate this new generation? The mansions. One by one, they began to be dismantled and sold in the vast furniture and antique markets of Karaikudi and Chennai. With some properties containing more than 1,800 tonnes of teak alone, there was plenty of money to be made by selling the homes and their contents to India’s newly rich.

By 2006, more than half of the mansions had already been torn down. Dismayed by the rapid disappearance of this forgotten corner of India’s architectural heritage, Adment and Dragon contacted Dr Minja Yang, director of UNESCO’s New Delhi office. ‘I was aware of the Tamil traditional house layout of the succession of courtyards, but I did not know about Chettinad,’ Yang explains. ‘I must say, I was impressed when I first saw the town-planning ambition of these Chettinad villages – their wide streets, the buildings aligned in an orderly manner.

‘Looking at the facades of “hybrid” style, that funny mix of Europe and Asia, it made me think of the “native” colonial style of some buildings in Vietnam,’ she continues. ‘When I walked into the Chettinad houses, I was blown over by the harmony and the tranquil beauty, despite the rather busy decorative features in some of the houses.’

Yang immediately set to work, attempting to convince the national, state and local authorities to protect, conserve and enhance the villages and towns of Chettinad. ‘We decided to “adopt” Chettinad as one of the UNESCO cultural itinerary routes in India, and started to multiply our contacts and official meetings with the cultural and tourism authorities of the Tamil Nadu state government,’ she says.

Rescue mission
In 2006, the newly formed Revive Chettinad Development Project successfully petitioned UNESCO to place Chettinad on its watch list for the World Monument Fund. As the project gained momentum, it began to receive backing from the French government, as well as the state government of Tamil Nadu and the Indian Ministry of Culture and Tourism.

Once funding had been secured, the next hurdle was figuring out exactly how to save the mansions. ‘There was no real conservation plan in an urban context in India. Chettinad was really the pilot project,’ Dragon explains.

Because of the region’s remoteness, and lack of any local written records, no-one knew how many mansions there had been to begin with, nor how many were left. There weren’t even any maps. So the first step was to carry out a detailed survey of the whole of Chettinad, a group of architects and urban planners, as well as a French geographer working for six months to document what was left.

The next step was to start work on saving the mansions themselves. Here they faced another set of obstacles. First, there was the Chettiars themselves. Many still lived abroad or in one of India’s major cities. Many also had little interest in their old family palaces, having left them in the hands of housekeepers and butlers, who dealt with the day-to-day upkeep but had no power when it came to decisions about the property.

Then there was the issue of multiple ownership. As these were family homes, ownership was split between the male heirs, and any decisions about sales or restorations could only be made with the agreement of all of those heirs.

Some outsiders were lucky. When the Indian hotel group CGH Earth, which specialises in heritage properties in southern India, decided to rent and restore one of the properties in the village of Kanadukathan, it discovered that it only had one owner, who readily agreed. Between 2005 and 2007, the company carried out a meticulous restoration of the 80-year-old art-deco-styled building using traditional techniques. Thus was born the Visalam Hotel, the first hotel opened by non-Chettiars in the region.

‘When we opened, all the Chettiars came to see,’ says Johny Peter, the hotel’s general manager. ‘They didn’t stay or come to eat, but just to have a look. Now they all call CGH Earth and ask if we want to lease their mansion.’

Peter acknowledges that the mansions are in a dangerous position, but sees the Chettiars themselves as the ultimate hurdle. ‘Their attitudes have to change, and the Visalam leads through example,’ he says.

Great potential
Tourism is vital in bringing much-needed capital into the region. The Visalam may lead, but others are now following. ‘The Chettinad region has a great potential for heritage-based development because of the diversity of its tangible and intangible heritage,’ Dragon explains. ‘Sustainable tourism should be an opportunity for the development of the region, but local authorities have to make the region ready for such a development by improving infrastructure, implementing conservation and protection plans at regional and village levels, and helping the inhabitants by giving grants for the restoration of their homes.’

Yang is more blunt. ‘It seems absolutely crazy to allow the incredible built heritage of these towns and villages to decay,’ she says. ‘It’s like allowing oil to spill into the open sea without capping it and making use of it.’

But saving a mansion is a lot more work and far more expensive than destroying or even maintaining one. And with people regularly knocking on their doors offering to buy the valuable resources inside, there is a constant temptation for the Chettiars to simply take the money and run. So the question now is, will they take as much pride in saving their heritage as their ancestors did in building it?

October 2011




Posted by Helen Killeen Bauch McHargue at 1:49 PM 2 comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

Tuesday, June 25, 2013

Bangalore and Mysore - March 2013

"It's a dangerous business Frodo, going out your door.
You step onto the road, and if you don't keep your feet,
there is no knowing where you might be swept off to."

             -  Bilbo, in Lord of the Rings

We had to get up and out the door early in order to catch our plane to Bangalore. Our guide wasn't kidding when he said the trip would take an hour and a half! Morning traffic was horrible - everybody and his dog was on the road; the sidewalks, roads and buses were loaded. At times like these, I'm very happy we're being ushered around by experts who know precisely how to manage timing for the inter-country Indian flights.

 Spice Jet was the carrier and the flight was uneventful. We were surprised though to be asked for our boarding passes as we left the plane. That was a first! Afterward we figured it was probably because the flight went on to Goa...perhaps they've had problems with people disembarking at the wrong spot?

The Bangalore airport is modern and up to date. A guide took us to our van, took care of our luggage and sent us on our way with our new driver, Boob. Honestly...Boob. We asked him his name several different ways to be sure. Finally we just accepted it. 4 hours chugging along the road with Boob was pretty much an endurance exercise, except for the coconut depot which was interesting. Hundreds of trucks were pulling in with coconut loads for distribution around the country. We passed a Muslim funeral. At about halfway we stopped for a coffee at a road exit which was designed very like an American road stop with a fast food cluster, gas station and a small grocery store.

En route, we visited the fort, palaces and mausoleum of Tippu Sultan, the Tiger of Mysore, at Srirangapatnum. The romantic palace is constructed of teak, raised on a platform with open corridors and wooden pillars on all four sides. Floral patterns are painted on the ceilings and every inch of the interior has been covered with floor-to-ceiling murals depicting courtly life and Tippu's campaigns against the British. Zouka felt a sympathy for and connection to Tippu.  She's not alone as the figure of Tippu Sultan has dominated Indian and British imagination for over two centuries, as the endless flow of scholarly works, ballads, plays and novels about his life and tragic end testifies. An aside:
Wilkie Collins, the great English writer, began his famous detective story "The Moonstone" (can be downloaded free at The gutenberg project )with the battle and looting of Srirangapatnum. Collins is attributed with creating the first "modern" detective story and such literary devices as : the "inside job"; the bungling local constabulary; the "least likely suspect", the "locked room" murder; the gentleman detective; the final plot twist. 

 These quotes attributed to Tippu Sultan, give you an idea of the man:
  • It is better to die before you bend your knees before your enemy.
  • One day of lion is better than the hundred days of jackal
  • Save me from friends, I will defend against my enemies
  • The real joy of life is to combat difficulties and miseries with firm determination



Tippu Mural - allposters.com

From the front of the palace

There's a small museum in despicable condition; once again, a third grader could do a better job of displaying the items.  Ancient coins are glued clumsily onto cardboard. It's very frustrating to see antiquities treated in this manner. They just don't have the funding to adequately preserve and display these treasures in an appropriate manner and to protect them for posterity.

 The worst hotel of our stay, the Wildflower resort looks great when you pull into the attractive driveway and lobby. Behind the scenes, the rooms were shabby with broken tiles, hacked up furniture, lizards and bugs. D and Z changed rooms a couple of times and finally just gave up. The dining room was surrounded by a moat of still water, murky and full of mosquitoes. It looked like a water feature gone terribly wrong.  We asked for a coil, which they lit;  half-gassed but bite-free, we choked our way through dinner. The staff was very pleasant and accommodated us as best they could but we had many complaints from the bugs to the wine list to the actual menu content. I guess we were getting grumpy.




Dining Room Wildflower

Next morning we drove to Somnathapur thirty miles from Mysore along the banks of Cauvery river through lovely fields planted with sugar cane and vegetables and dotted with haystacks.



Oxen, their horns painted bright colors, pulled loads along the roads; school children pedaled their way to class and ancient trucks, spewing smoke and loaded to the gills with various crops, huffed and puffed their way along. Every once in a while, we'd hit a stretch of road with grain spread out on the surface. The farmers who can't afford to have their grain milled get the chaff removed by having it run over and pounded by tires and oxen feet for a day. 


Somnathapur is a small village on the banks of the river Cauvery that was founded by the commander of the Hoysala army, Somnath. The village is famous for its splendid and grand Kesava temple built in the Hoysala style which is renown for elaborate and intricate sculpture. The temple, built on an elevated star shaped platform, is enclosed by a wall and looks stupendous with the simple village a backdrop. The sides of the raised platform are decorated with richly carved friezes, portraying rows of cavalry, elephants and scenes from the epics.

The temple is an example of the grand and glorious temples built by the Hoysala rulers who ruled Karnataka from the 10th to the 14th century. The beauty of this temple stunned us and that fact was in itself surprising as we'd seen too many ABC's (another bloody church) at this point. The Hoysala, vigorous temple builders,  constructed over 1500 temples; 400 or so have been salvaged.  The temples fulfilled a number of needs - centers for social, cultural and religious activities as well as contributing in a big way to their economy. Construction employed architects, tradesmen and artists, creating and maintaining a rich artistic tone to their civilization. The Hoysala, talented administrators, had a far-reaching tax system which financed the temple building; they slapped a tax on everything: land, professions, marriages, goods in transit, domesticated animals, commodities, produce.  The names of the sculptors are inscribed on their works, which was a common practice during the reign of the Hoyasalas.
Kesava temple

Carving on Kesava temples

One of the frustrations of being a tourist in India is that you couldn't possibly learn enough about the history to be evenly remotely satisfied with a particular period, like this one, the Hoysalas. A fascinating culture, you could spend a lifetime studying the temple art. Just the art. So we took our little peek and moved on, back to Mysore for an over-priced lunch in a hotel dining room, the temperature of a meat locker.

A short stop at Chamundi Hill to visit the Chamundeshwari Temple was fascinating. We parked and walked into a square crowded with people, cows, bicycles, motor scooters and stands selling all kinds of stuff - mostly offerings and food. We were surprised to see a monster, Disneyesque statue of a pirate or so we thought. Turns out to be the God Mahishasura, who is actually a demon. It's another long, complicated Indian story full of crazy characters, puzzling motives, lack of redemption, unrequited love, Gods, Devils, incarnations, hallucinations, faithless wives and mystical animals. Impossible for us to follow but everyday fare for Indian kids accustomed to these legends.
Mahishasura


You can walk up 1000 steps to get to the temple if you are doing penance or grieving or just want to suffer for some reason. Our guide led us over to the shoe station where you surrender your footwear; walking around barefoot was gruesome with garbage and cow dung everywhere. There's a sign posted as you approach the temple optimistically saying "No Plastics" - good luck! Plastic bags have blown up in a heap around the sign and juice boxes, plastic bottles and all manner of detritus is piled up on the road side. We joined the line to enter the temple where we were seriously jostled around (elbowed once) by worshipers straining to get to the front where they give their money and offerings to the priest who swipes it by the golden Vishnu, hands the offering part back (the money is squirreled away) and away the worshipers go, happy as larks.  A coconut breaking area is situated at the back where people take their expensive coconuts purchased in the square and I guess they're blessed. A priest breaks the coconut on the edge of a big vat and hands the pieces back. Couldn't figure this one out. We passed a lively sari auction going on in the square. People donate saris to the temples where they are kept, just as purchased, wrapped in their plastic bags, for a couple of months, after which they're auctioned off and the same people who donated them buy them back for 10 or 20 times the cost...because now they are Holy Sari's having been "owned" by the Gods for a couple of months.
Chamundeshwari Temple


 

On the way back down  we stopped to see the colossal statue of Nandi, Shiva's bull,  one of the largest in India; carved out of a single piece of granite. Debra waited in line to make an offering, get anointed with Holy Oil and have a string bracelet placed on her arm. At one time, the bull was covered daily with a sticky substance, probably tar, and visitors pressed rupees onto it for luck, fertility, virility (on the testicles). Now, the bull is fenced in for protection. There are warnings posted around the area that women shouldn't walk the paths alone. Women and men are separated on buses.

"Visits to India by female tourists dropped 35 percent in the first three months of this year compared with the same period last year, according to the Associated Chambers of Commerce and Industry of India. That three-month period came after the fatal gang rape of a 23-year-old student in New Delhi in December, which brought protesters to the streets and shined a spotlight on the harassment and intimidation women face every day in India." New York Times, June 10, 2013. 

When we returned to Bangalore on a city tour we visited another famous bull temple. Built in the 16th century, this crouching bull is also built out of a single block of granite.  The story has peanut farmers in the area outraged by a bull who ran all over their crops and ruined them. One of the farmers smashed the bull's head in with a stick, which promptly turned to stone. Terrified and worried, the farmers built the temple to appease the bull of Lord Shiva, Nandi. The local farmers, to this day, offer the first crop of peanuts to the bull. Debra decided we needed some peanuts for sustenance and bought some from the street vendor outside the temple. Boiled peanuts, they were delicious. 

Buying boiled peanuts

Mysore palace
The grand finale of this sojourn was the Mysore Palace, considered by many to be second only to Versailles in the Palace grading world. It was splendid and our imaginations ran wild thinking about Rajahs parading around on elephants.  In the interests of time, we were swept past some of it too quickly. It's the kind of place you should visit in two days: one day for the once over and the second day for contemplation and closer examination of the parts you like. Fortunately the maintenance is a little better here than many of the other sites although parts of it are pitiful, in particular the museum. I tried to buy a postcard because you can't take pictures inside. The bored and unengaged postcard seller would have been at home in Kiev when I visited there shortly after the Wall came down. Someone should hire the guy to model the antithesis of customer service. Think of it...no pictures allowed. You'd imagine there would be a huge display of postcards and art books for sale and they'd be raking in gobs of money, money which could be invested in maintenance! But no, none of that. Just one disheveled guy looking like he just got out of bed.

Indian tourists at Mysore palace
Wizards of outsourcing their own skills, you cannot imagine why the Indian government doesn't outsource management of the countries treasures. Somebody or something could whip that postcard seller into shape - perhaps a small commission?
Horse patrol at Mysore Palace

I purchased a pashmina scarf in the Mysore market for $40.00.  The sales demo was mesmerizing. Back home I found something similar online for $10.00. I knew I was over-paying at the time but the Indians are very good at making you feel obligated once they've invested time in a pitch.  I'm such a sucker. I would have been better off buying $40.00 worth of good luck in the temple or buying a Holy Sari! Two things I'm sure of: I'll never buy another pashmina and I'll never again attempt to bargain with a Kashmiri. They are too good. You don't stand a chance.


Posted by Helen Killeen Bauch McHargue at 3:22 PM 3 comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

Saturday, June 01, 2013

Sepia Saturday 179: My Reptilian Adventures



I'm still on jury duty and have no spare time. I'm submitting an older post from my blog which relates in a small way. The picture of me in Bali is over a decade old.....can we count it as sepia?

    Richard, my husband, found a snake skin in the grove.  It's got the head part attached which is a good thing for the snake. They shrug out of the skin but sometimes the head doesn't get de-skinned and the snakes have problems seeing.
     
    One cat, Pink, thought the skin deserved a closer inspection. The other cat, Buster, couldn't get away fast enough. 
     
    Here's our Vietnamese friend Diep in the Mekong Delta with a snake when we traveled with her years ago and on our deck in Fallbrook.  Diep now lives in Canada in Montreal where the snakes are in short supply. 
    But they weren't in short supply number-wise where I grew up in the Canadian prairies. Here's a garter snake mating ball. I saw a small ball like this one on the farm; the stuff nightmares are made of.


I refreshed my memory about these snakes from Wikipedia. Garter snakes go into a kind of hibernation before mating. Males emerge first bursting with hormones and starving (the worst kind). They wait for the females to wake up and emerge from their dens when they are jumped by the males, as many as 25 on a female. That'd be enough to make any female stay in seclusion. A tangled ball results with the whole unromantic mess rolling around in the dust.  It's a very intense, frantic scene - nature's brute survival mechanism hard at work. Interestingly, the female can store sperm for years after fertilization. Score another one for Mother Nature...if a female snake had to go through getting balled this way every year, there'd be no more snakes.  

    Snakes one at a time don't bother me - in fact I find them kind of interesting. Here's me in Bali with a nice little guy. The typical tourist thing - "get your picture taken with a snake". 
    And a little musical accompaniment about things reptilian....
    Ray Stevens Little Egypt 
     P.S. I remembered a photo of a cart I saw in India recently being pulled by the skinniest animal I've ever seen.

     
    Slither on over to Sepia Saturday to read more interesting stories about carts, gypsies, boho fashions and caravans. 
     
     


Posted by Helen Killeen Bauch McHargue at 10:44 AM No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Newer Posts Older Posts Home
Subscribe to: Posts (Atom)

Printfriendly

Search This Blog

About Me

My photo
Helen Killeen Bauch McHargue
I'm a retired food professional living on an avocado grove in Fallbrook, California with my husband and cats. Through my consulting business, Food Smarts, I've worked for restaurant chains, food manufacturers and commodity boards. I've always liked to write (who doesn't) and enjoy scribbling now and then.
View my complete profile

Feedjit

  • The New Yorker
    Where Is the Iran-Israel Conflict Headed?
    11 hours ago
  • Spitalfields Life
    Last Chance To Save Liverpool St Station From The Monster Block
    22 hours ago
  • Blue Heron Blast
    Distractions
    1 day ago
  • David Lebovitz
    paris book event – june 29, 2025
    2 weeks ago
  • News From Nowhere
    Black And Brown And Coastal Barges
    1 month ago
  • Serious Eats
    We Tested 10 Tofu Presses—Three Squeezed Out the Competition
    2 years ago
  • Vivian Swift
    On Taking a Joke.
    3 years ago
  • The Kitchen Sisters
    Better Now Than Never: Safeguarding Your Audio Collection
    3 years ago
  • JaneVille
    Register now for Creative JumpStart 2022!
    3 years ago
  • Bric-a-Brac, Robert and Morrison's blog
    Vaucluse house tassels and trimmings
    5 years ago
  • Stay at Stove Dad
    Announcing My New Book--Order Now and Get a Free Print!
    6 years ago
  • Janet Deneefe
    Bakso and the Fasting Month!
    7 years ago
  • The Girl Who Ate Everything
    The giant manatee-shaped doughnut that got away, and the friend who ate it for me
    7 years ago
  • Scheherazade's Journal
    The Promise: the Armenian Genocide
    8 years ago
  • Banar Designs
    Paris
    9 years ago
  • cimilar cinema
    Drug Lords in Film
    9 years ago
  • Ladies of the Grove
    My Favorite Dog Photos
    10 years ago
  • fxcuisine
  • Banar Designs
  • Food Smarts

Blog Archive

  • ►  2021 (12)
    • ►  July (1)
    • ►  June (1)
    • ►  May (10)
  • ►  2020 (3)
    • ►  February (1)
    • ►  January (2)
  • ►  2019 (6)
    • ►  September (4)
    • ►  April (2)
  • ►  2018 (51)
    • ►  December (1)
    • ►  November (1)
    • ►  September (8)
    • ►  August (3)
    • ►  July (4)
    • ►  June (2)
    • ►  May (5)
    • ►  April (2)
    • ►  March (4)
    • ►  February (5)
    • ►  January (16)
  • ►  2017 (105)
    • ►  December (8)
    • ►  November (15)
    • ►  October (6)
    • ►  September (5)
    • ►  July (3)
    • ►  June (3)
    • ►  May (7)
    • ►  April (24)
    • ►  March (15)
    • ►  January (19)
  • ►  2016 (182)
    • ►  December (23)
    • ►  November (5)
    • ►  October (20)
    • ►  September (19)
    • ►  August (16)
    • ►  July (7)
    • ►  June (9)
    • ►  May (10)
    • ►  April (30)
    • ►  March (19)
    • ►  February (13)
    • ►  January (11)
  • ►  2015 (201)
    • ►  December (19)
    • ►  November (11)
    • ►  October (15)
    • ►  September (8)
    • ►  August (8)
    • ►  July (12)
    • ►  June (28)
    • ►  May (14)
    • ►  April (13)
    • ►  March (21)
    • ►  February (23)
    • ►  January (29)
  • ►  2014 (153)
    • ►  December (28)
    • ►  November (1)
    • ►  October (18)
    • ►  September (26)
    • ►  August (11)
    • ►  July (13)
    • ►  June (8)
    • ►  May (8)
    • ►  April (19)
    • ►  March (4)
    • ►  February (2)
    • ►  January (15)
  • ▼  2013 (105)
    • ►  December (19)
    • ►  November (6)
    • ►  October (13)
    • ►  September (8)
    • ►  August (5)
    • ►  July (7)
    • ▼  June (5)
      • Cranky as hell in Goa
      • Sepia Saturday 183: Claustrophobia!!
      • Karaikudi -what a surprise!
      • Bangalore and Mysore - March 2013
      • Sepia Saturday 179: My Reptilian Adventures
    • ►  May (12)
    • ►  April (3)
    • ►  March (11)
    • ►  February (6)
    • ►  January (10)
  • ►  2012 (123)
    • ►  December (12)
    • ►  November (6)
    • ►  October (8)
    • ►  September (4)
    • ►  August (4)
    • ►  July (10)
    • ►  June (2)
    • ►  May (6)
    • ►  April (10)
    • ►  March (12)
    • ►  February (26)
    • ►  January (23)
  • ►  2011 (119)
    • ►  December (9)
    • ►  November (6)
    • ►  October (2)
    • ►  September (3)
    • ►  August (10)
    • ►  July (14)
    • ►  June (11)
    • ►  May (6)
    • ►  April (19)
    • ►  March (16)
    • ►  February (10)
    • ►  January (13)
  • ►  2010 (171)
    • ►  December (12)
    • ►  November (9)
    • ►  October (3)
    • ►  September (10)
    • ►  August (12)
    • ►  July (15)
    • ►  June (21)
    • ►  May (4)
    • ►  April (20)
    • ►  March (24)
    • ►  February (20)
    • ►  January (21)
  • ►  2009 (119)
    • ►  December (25)
    • ►  November (13)
    • ►  October (16)
    • ►  September (12)
    • ►  August (18)
    • ►  July (15)
    • ►  June (10)
    • ►  May (3)
    • ►  April (2)
    • ►  March (2)
    • ►  February (1)
    • ►  January (2)
  • ►  2008 (61)
    • ►  November (3)
    • ►  September (10)
    • ►  August (8)
    • ►  July (11)
    • ►  June (9)
    • ►  May (9)
    • ►  April (1)
    • ►  March (1)
    • ►  February (1)
    • ►  January (8)
  • ►  2007 (51)
    • ►  December (10)
    • ►  November (1)
    • ►  October (5)
    • ►  September (2)
    • ►  August (9)
    • ►  July (20)
    • ►  June (1)
    • ►  May (2)
    • ►  April (1)
  • ►  2006 (1)
    • ►  November (1)

Total Pageviews

free counters
Free counters

Popular Posts

  • Chin Chin Chinese Chicken Salad Recipe
  • Morph Suits
  • Fotoplayer
  • In Seminyak
  • Bali Ceremony
  • Cooking Class Mozaic Restaurant Ubud Bali
  • Singapore Smiles
  • Sepia Saturday - Potato Pickers
  • Bollywood tour

Contact Form

Name

Email *

Message *

Everything written on this blog originates with me or someone else from whom I've received permission or to whom I ascribe ownership or for which I claim fair use. Anything of mine can be copied and used without my permission; I'd consider it a compliment unless money changes hands and then we'll see. Nobody will ever burn in hell for copying anything from my site; danger lies only in suffering indigestion from incorrectly reading the recipes. If you stay alert, you'll be OK. Have a nice day.

LinkWithin

Related Posts with Thumbnails

Avocados

Avocados
There's one in every crowd.
Simple theme. Powered by Blogger.